CARRIE RICKEY'S REVIEWS

In alphabetical order

A Subtler Oliver Stone Is Back in Top Form With ‘Snowden’
From "Truthdig"
A ‘Trainwreck’ You Can Laugh At
From "Truthdig"
‘A Walk in the Woods’ is a Cinematic Walk in the Park
From ""
‘Arrival’: A Gossamer Dream of Hope Beams In From Outer Space
From "Truthdig"
‘Diary of a Teenage Girl’ Gets Adolescent Sexuality Right
From "Truthdig"
‘Equity’ Film Review: Women Bare Their Teeth in Wall Street’s Shark Tank
From "Truthdig"
‘Everybody Wants Some!!’ Film Review: A Cut-Above Campus Comedy
From "Truthdig"
Film Review: Hilarious ‘Hail, Caesar!’ Hails and Skewers Hollywood
From "Truthdig"
In ‘Ex Machina’, a Robo Babe Raises Powerful Questions
From "Truthdig"
‘Inside Out’ Turns Pixar’s Usual Formula on Its Head
From "Truthdig"
Joan Rivers, Transgressive Comedian
From "The Philadelphia Inquirer"
‘Love and Friendship’ and ‘The Lobster’: What’s Love—or Lobster—Got to Do With It?
From "Truthdig"
‘Maggie’s Plan’ Film Review: ‘Annie Hall’ for Millennials
From "Truthdig"
Maybe It’s Time to Terminate
From "Truthdig"
‘Moonlight’: Baptism By Hope
From "Truthdig"
‘The Birth of a Nation’ and ’13th’ School Their Viewers on America’s Racial Legacy
From "Truthdig"
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
From "rogerebert.com"
With ‘Sully’, Clint Eastwood Skillfully Traffics in the Gray Zone Once Again
From "Truthdig"